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Like the anxious guys who began excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had bargained for-- such as phallic-shaped lights-- historians of sex are regularly challenged with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served customers in the brothels lived hard lives, yet a lot of the murals that make it through illustrate the women as exotic and erotic. Murals from whorehouses and buildings that worked as brothels (such as inns, lunch counters, and taverns) show fair-skinned women, naked (except for the periodic breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic men. The figures sport on beds that are in some cases ornate and festooned with decorative quilts. n structures determined as whorehouses, the murals may have been meant to excite customers. They might also have functioned as pictorial menus or even worked as instruction manuals for more inexperienced consumers. In buildings recognized as personal houses, the scenes were most likely decorative but also developed, maybe, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.