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Like the distressed men who started excavations at Pompeii in the 18th century and found more about the ancient Italians than they had planned on-- such as phallic-shaped lamps-- historians of sex are regularly confronted with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet a lot of the murals that endure illustrate the females as unique and erotic. Murals from whorehouses and buildings that functioned as brothels (such as inns, lunch counters, and pubs) show fair-skinned females, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic males. The figures sport on beds that are often ornate and festooned with ornamental quilts. n buildings identified as brothels, the murals might have been meant to excite clients. They might also have functioned as pictorial menus or even served as user's manual for more unskilled clients. In structures identified as private houses, the scenes were most likely decorative however also created, possibly, for titillation.