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Like the nervous males who started excavations at Pompeii in the 18th century and found more about the ancient Italians than they had actually imagined-- such as phallic-shaped lamps-- historians of sex are frequently confronted with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet a number of the murals that endure illustrate the ladies as erotic and unique. Murals from whorehouses and buildings that functioned as brothels (such as inns, lunch counters, and taverns) reveal fair-skinned ladies, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic males. The figures sport on beds that are often elaborate and festooned with decorative quilts. n buildings identified as whorehouses, the murals might have been intended to excite clients. They might also have functioned as pictorial menus or even served as user's manual for more inexperienced consumers. In structures recognized as private houses, the scenes were most likely decorative but likewise designed, maybe, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.