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Like the nervous guys who started excavations at Pompeii in the 18th century and found more about the ancient Italians than they had bargained for-- such as phallic-shaped lights-- historians of sex are routinely faced with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served customers in the brothels lived hard lives, yet a lot of the murals that survive illustrate the ladies as erotic and unique. Murals from brothels and structures that acted as brothels (such as inns, lunch counters, and taverns) reveal fair-skinned females, naked (except for the periodic breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic men. The figures sport on beds that are in some cases ornate and festooned with ornamental quilts. n structures identified as brothels, the murals might have been intended to excite customers. They might also have operated as pictorial menus or perhaps functioned as user's manual for more inexperienced clients. In structures determined as personal residences, the scenes were probably decorative however also designed, maybe, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.