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Like the nervous males who began excavations at Pompeii in the 18th century and found more about the ancient Italians than they had bargained for-- such as phallic-shaped lights-- historians of sex are frequently faced with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served customers in the brothels lived hard lives, yet much of the murals that survive depict the females as exotic and erotic. Murals from brothels and structures that functioned as whorehouses (such as inns, lunch counters, and taverns) show fair-skinned females, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic men. The figures sport on beds that are sometimes elaborate and festooned with decorative quilts. n buildings identified as brothels, the murals may have been planned to arouse customers. They might also have operated as pictorial menus and even acted as user's manual for more inexperienced consumers. In structures recognized as private houses, the scenes were most likely ornamental but likewise developed, perhaps, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.