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Like the anxious males who began excavations at Pompeii in the 18th century and found more about the ancient Italians than they had planned on-- such as phallic-shaped lamps-- historians of sex are frequently faced with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet many of the murals that survive illustrate the females as erotic and unique. Murals from whorehouses and buildings that functioned as whorehouses (such as inns, lunch counters, and pubs) reveal fair-skinned women, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic guys. The figures sport on beds that are in some cases ornate and festooned with ornamental quilts. n structures determined as whorehouses, the murals might have been meant to excite clients. They might also have worked as pictorial menus or perhaps functioned as user's manual for more unskilled clients. In structures recognized as private residences, the scenes were most likely ornamental however also developed, perhaps, for titillation.