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Like the nervous guys who began excavations at Pompeii in the 18th century and found more about the ancient Italians than they had actually planned on-- such as phallic-shaped lamps-- historians of sex are frequently challenged with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served clients in the brothels lived hard lives, yet a lot of the murals that make it through illustrate the women as exotic and erotic. Murals from whorehouses and structures that served as whorehouses (such as inns, lunch counters, and pubs) reveal fair-skinned ladies, naked (except for the periodic breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic guys. The figures sport on beds that are often elaborate and festooned with ornamental quilts. n structures determined as whorehouses, the murals might have been planned to arouse customers. They might also have worked as pictorial menus or even served as user's manual for more unskilled consumers. In buildings recognized as private residences, the scenes were more than likely decorative but likewise developed, possibly, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.