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Like the distressed men who began excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had planned on-- such as phallic-shaped lamps-- historians of sex are frequently faced with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet a lot of the murals that survive portray the females as exotic and erotic. Murals from whorehouses and structures that acted as brothels (such as inns, lunch counters, and taverns) reveal fair-skinned ladies, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic men. The figures sport on beds that are often ornate and festooned with ornamental quilts. n buildings determined as brothels, the murals may have been planned to arouse customers. They may likewise have operated as pictorial menus and even functioned as instruction manuals for more unskilled clients. In structures identified as private homes, the scenes were probably ornamental however also developed, possibly, for titillation.