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Like the distressed men who began excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had imagined-- such as phallic-shaped lights-- historians of sex are routinely challenged with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet much of the murals that endure depict the ladies as erotic and unique. Murals from whorehouses and structures that acted as brothels (such as inns, lunch counters, and pubs) show fair-skinned ladies, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic men. The figures sport on beds that are often ornate and festooned with decorative quilts. n buildings determined as brothels, the murals may have been planned to arouse customers. They may also have worked as pictorial menus or perhaps worked as user's manual for more inexperienced consumers. In buildings determined as private residences, the scenes were more than likely ornamental however also designed, maybe, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.