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Like the nervous guys who started excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had actually imagined-- such as phallic-shaped lights-- historians of sex are routinely challenged with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served clients in the brothels lived hard lives, yet much of the murals that survive depict the ladies as erotic and exotic. Murals from brothels and structures that functioned as brothels (such as inns, lunch counters, and taverns) reveal fair-skinned females, naked (except for the periodic breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic men. The figures sport on beds that are in some cases elaborate and festooned with decorative quilts. n structures recognized as whorehouses, the murals might have been meant to arouse customers. They might also have actually operated as pictorial menus or perhaps worked as instruction manuals for more inexperienced customers. In buildings recognized as personal residences, the scenes were more than likely ornamental but also created, possibly, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.