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Like the nervous males who began excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had anticipated-- such as phallic-shaped lamps-- historians of sex are frequently confronted with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet many of the murals that survive portray the women as exotic and erotic. Murals from whorehouses and structures that functioned as whorehouses (such as inns, lunch counters, and taverns) reveal fair-skinned ladies, naked (except for the periodic breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic guys. The figures sport on beds that are in some cases ornate and festooned with ornamental quilts. n structures determined as brothels, the murals might have been meant to arouse clients. They may also have actually operated as pictorial menus or perhaps acted as user's manual for more inexperienced consumers. In structures recognized as private residences, the scenes were most likely decorative but also developed, perhaps, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.