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Like the distressed men who began excavations at Pompeii in the 18th century and found more about the ancient Italians than they had planned on-- such as phallic-shaped lights-- historians of sex are routinely confronted with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet much of the murals that survive depict the ladies as erotic and unique. Murals from whorehouses and structures that served as whorehouses (such as inns, lunch counters, and taverns) show fair-skinned women, naked (except for the occasional breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic men. The figures sport on beds that are sometimes elaborate and festooned with decorative quilts. n structures identified as whorehouses, the murals may have been intended to excite customers. They may also have actually worked as pictorial menus or perhaps functioned as user's manual for more inexperienced consumers. In buildings determined as private houses, the scenes were most likely decorative but also developed, possibly, for titillation.