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Like the anxious guys who began excavations at Pompeii in the 18th century and found more about the ancient Italians than they had planned on-- such as phallic-shaped lights-- historians of sex are routinely faced with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served customers in the brothels lived hard lives, yet a lot of the murals that make it through portray the ladies as exotic and erotic. Murals from whorehouses and buildings that acted as brothels (such as inns, lunch counters, and pubs) show fair-skinned females, naked (except for the periodic breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic men. The figures sport on beds that are sometimes elaborate and festooned with decorative quilts. n buildings determined as whorehouses, the murals may have been intended to arouse customers. They may likewise have functioned as pictorial menus or perhaps acted as user's manual for more unskilled consumers. In buildings identified as private homes, the scenes were probably ornamental but likewise developed, possibly, for titillation.