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Like the distressed guys who began excavations at Pompeii in the 18th century and found more about the ancient Italians than they had anticipated-- such as phallic-shaped lights-- historians of sex are frequently confronted with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served clients in the whorehouses lived hard lives, yet much of the murals that endure portray the women as unique and erotic. Murals from brothels and buildings that acted as whorehouses (such as inns, lunch counters, and taverns) show fair-skinned females, naked (except for the periodic breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic men. The figures sport on beds that are often elaborate and festooned with decorative quilts. n buildings identified as brothels, the murals might have been planned to arouse clients. They may also have worked as pictorial menus or even acted as user's manual for more inexperienced customers. In buildings determined as personal houses, the scenes were probably ornamental but also developed, perhaps, for titillation.