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Like the anxious men who began excavations at Pompeii in the 18th century and found more about the ancient Italians than they had imagined-- such as phallic-shaped lamps-- historians of sex are regularly confronted with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served customers in the brothels lived hard lives, yet a lot of the murals that survive portray the females as erotic and unique. Murals from whorehouses and buildings that acted as whorehouses (such as inns, lunch counters, and pubs) show fair-skinned ladies, naked (except for the occasional breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic guys. The figures sport on beds that are often ornate and festooned with ornamental quilts. n structures identified as brothels, the murals might have been planned to excite customers. They might also have operated as pictorial menus or perhaps functioned as user's manual for more unskilled customers. In buildings identified as personal residences, the scenes were more than likely decorative but likewise created, possibly, for titillation.