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Like the distressed men who began excavations at Pompeii in the 18th century and found more about the ancient Italians than they had actually anticipated-- such as phallic-shaped lights-- historians of sex are regularly challenged with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet many of the murals that survive depict the women as exotic and erotic. Murals from brothels and structures that acted as whorehouses (such as inns, lunch counters, and pubs) show fair-skinned ladies, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic guys. The figures sport on beds that are sometimes ornate and festooned with decorative quilts. n buildings determined as brothels, the murals may have been planned to excite customers. They may also have actually functioned as pictorial menus or even acted as user's manual for more inexperienced consumers. In buildings recognized as personal homes, the scenes were probably decorative however also developed, possibly, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.