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Like the anxious guys who began excavations at Pompeii in the 18th century and found more about the ancient Italians than they had anticipated-- such as phallic-shaped lamps-- historians of sex are routinely faced with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet much of the murals that make it through portray the females as erotic and unique. Murals from brothels and buildings that functioned as brothels (such as inns, lunch counters, and pubs) show fair-skinned females, naked (except for the periodic breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic men. The figures sport on beds that are in some cases ornate and festooned with ornamental quilts. n buildings recognized as whorehouses, the murals might have been planned to arouse clients. They might likewise have operated as pictorial menus or perhaps acted as user's manual for more unskilled consumers. In structures determined as private residences, the scenes were most likely ornamental but likewise developed, possibly, for titillation.