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Like the anxious guys who started excavations at Pompeii in the 18th century and found more about the ancient Italians than they had planned on-- such as phallic-shaped lights-- historians of sex are frequently confronted with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served customers in the brothels lived hard lives, yet many of the murals that endure illustrate the ladies as erotic and exotic. Murals from whorehouses and buildings that worked as whorehouses (such as inns, lunch counters, and taverns) reveal fair-skinned females, naked (except for the periodic breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic men. The figures sport on beds that are sometimes elaborate and festooned with ornamental quilts. n buildings recognized as brothels, the murals may have been meant to arouse customers. They may also have worked as pictorial menus or perhaps worked as instruction manuals for more inexperienced customers. In buildings determined as private residences, the scenes were most likely ornamental however likewise created, perhaps, for titillation.