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Like the anxious males who began excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had bargained for-- such as phallic-shaped lamps-- historians of sex are regularly faced with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet a lot of the murals that make it through portray the women as unique and erotic. Murals from brothels and buildings that acted as whorehouses (such as inns, lunch counters, and pubs) reveal fair-skinned females, naked (except for the periodic breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic men. The figures sport on beds that are in some cases elaborate and festooned with decorative quilts. n structures determined as brothels, the murals might have been meant to excite customers. They may also have worked as pictorial menus or even functioned as instruction manuals for more inexperienced customers. In buildings determined as personal homes, the scenes were probably ornamental but likewise designed, possibly, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.