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Like the distressed males who began excavations at Pompeii in the 18th century and found more about the ancient Italians than they had bargained for-- such as phallic-shaped lights-- historians of sex are regularly faced with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet many of the murals that make it through depict the ladies as erotic and exotic. Murals from brothels and structures that acted as brothels (such as inns, lunch counters, and pubs) show fair-skinned women, naked (except for the periodic breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic guys. The figures sport on beds that are in some cases elaborate and festooned with ornamental quilts. n buildings identified as whorehouses, the murals might have been planned to excite customers. They might likewise have functioned as pictorial menus and even functioned as user's manual for more unskilled clients. In buildings determined as private houses, the scenes were more than likely decorative but likewise created, maybe, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.