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Like the nervous males who started excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had actually imagined-- such as phallic-shaped lights-- historians of sex are routinely faced with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served clients in the whorehouses lived hard lives, yet a number of the murals that survive portray the females as exotic and erotic. Murals from brothels and structures that acted as brothels (such as inns, lunch counters, and taverns) reveal fair-skinned females, naked (except for the periodic breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic males. The figures sport on beds that are in some cases elaborate and festooned with decorative quilts. n buildings determined as whorehouses, the murals might have been intended to excite clients. They might likewise have worked as pictorial menus or perhaps worked as instruction manuals for more inexperienced customers. In buildings identified as personal houses, the scenes were more than likely decorative but likewise designed, possibly, for titillation.