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Like the anxious guys who began excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had actually imagined-- such as phallic-shaped lamps-- historians of sex are frequently challenged with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet a lot of the murals that survive portray the ladies as erotic and exotic. Murals from brothels and structures that acted as whorehouses (such as inns, lunch counters, and pubs) show fair-skinned women, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic men. The figures sport on beds that are often ornate and festooned with ornamental quilts. n structures recognized as whorehouses, the murals might have been meant to excite customers. They may also have functioned as pictorial menus or perhaps acted as user's manual for more inexperienced consumers. In buildings determined as private houses, the scenes were more than likely ornamental but also created, perhaps, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.