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Like the anxious men who started excavations at Pompeii in the 18th century and found more about the ancient Italians than they had actually bargained for-- such as phallic-shaped lamps-- historians of sex are regularly challenged with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served clients in the whorehouses lived hard lives, yet a lot of the murals that endure portray the women as erotic and exotic. Murals from whorehouses and structures that worked as brothels (such as inns, lunch counters, and pubs) reveal fair-skinned women, naked (except for the occasional breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic guys. The figures sport on beds that are often elaborate and festooned with ornamental quilts. n structures identified as brothels, the murals might have been intended to arouse customers. They may also have actually operated as pictorial menus or even served as user's manual for more inexperienced customers. In buildings identified as personal residences, the scenes were more than likely ornamental but likewise created, maybe, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.