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Like the anxious men who began excavations at Pompeii in the 18th century and found more about the ancient Italians than they had imagined-- such as phallic-shaped lamps-- historians of sex are regularly challenged with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served clients in the brothels lived hard lives, yet a lot of the murals that survive illustrate the women as unique and erotic. Murals from whorehouses and structures that functioned as brothels (such as inns, lunch counters, and taverns) reveal fair-skinned females, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic guys. The figures sport on beds that are in some cases elaborate and festooned with ornamental quilts. n buildings recognized as whorehouses, the murals may have been intended to arouse clients. They might also have worked as pictorial menus and even served as user's manual for more unskilled clients. In buildings identified as personal houses, the scenes were probably ornamental however also created, maybe, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.