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Like the distressed men who started excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had bargained for-- such as phallic-shaped lamps-- historians of sex are routinely faced with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served customers in the brothels lived hard lives, yet a lot of the murals that endure portray the women as erotic and exotic. Murals from whorehouses and structures that served as brothels (such as inns, lunch counters, and taverns) show fair-skinned women, naked (except for the periodic breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic males. The figures sport on beds that are in some cases ornate and festooned with decorative quilts. n structures determined as brothels, the murals might have been intended to arouse clients. They might likewise have actually worked as pictorial menus or perhaps served as user's manual for more inexperienced customers. In buildings determined as personal residences, the scenes were most likely decorative but also developed, maybe, for titillation.