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Like the distressed guys who started excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had bargained for-- such as phallic-shaped lamps-- historians of sex are routinely challenged with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served customers in the brothels lived hard lives, yet many of the murals that survive portray the females as erotic and unique. Murals from brothels and structures that worked as brothels (such as inns, lunch counters, and taverns) show fair-skinned women, naked (except for the periodic breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic men. The figures sport on beds that are often elaborate and festooned with decorative quilts. n structures identified as brothels, the murals might have been meant to excite customers. They might also have worked as pictorial menus or perhaps worked as instruction manuals for more inexperienced customers. In buildings determined as private homes, the scenes were more than likely ornamental but likewise designed, maybe, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.