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Like the anxious men who started excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had actually bargained for-- such as phallic-shaped lights-- historians of sex are routinely confronted with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet a number of the murals that endure depict the women as exotic and erotic. Murals from brothels and structures that functioned as brothels (such as inns, lunch counters, and taverns) reveal fair-skinned ladies, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic men. The figures sport on beds that are often elaborate and festooned with ornamental quilts. n structures identified as whorehouses, the murals might have been meant to arouse clients. They might also have actually functioned as pictorial menus and even functioned as instruction manuals for more inexperienced clients. In structures determined as personal houses, the scenes were most likely decorative but also developed, possibly, for titillation.