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Like the nervous men who began excavations at Pompeii in the 18th century and found more about the ancient Italians than they had bargained for-- such as phallic-shaped lamps-- historians of sex are routinely challenged with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served customers in the brothels lived hard lives, yet a lot of the murals that survive portray the women as erotic and unique. Murals from whorehouses and structures that worked as whorehouses (such as inns, lunch counters, and taverns) show fair-skinned women, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic males. The figures sport on beds that are often elaborate and festooned with ornamental quilts. n structures recognized as whorehouses, the murals might have been planned to arouse customers. They may also have actually operated as pictorial menus or even functioned as instruction manuals for more inexperienced clients. In structures determined as private houses, the scenes were more than likely ornamental but also created, perhaps, for titillation.