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Like the distressed guys who started excavations at Pompeii in the 18th century and found more about the ancient Italians than they had bargained for-- such as phallic-shaped lamps-- historians of sex are regularly challenged with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served customers in the brothels lived hard lives, yet much of the murals that endure portray the females as erotic and unique. Murals from whorehouses and buildings that functioned as brothels (such as inns, lunch counters, and taverns) reveal fair-skinned women, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic guys. The figures sport on beds that are sometimes ornate and festooned with decorative quilts. n structures identified as brothels, the murals might have been intended to arouse customers. They may likewise have actually worked as pictorial menus or perhaps served as user's manual for more inexperienced clients. In buildings recognized as private houses, the scenes were probably decorative but also designed, perhaps, for titillation.