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Like the nervous males who began excavations at Pompeii in the 18th century and found more about the ancient Italians than they had planned on-- such as phallic-shaped lights-- historians of sex are regularly faced with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served clients in the brothels lived hard lives, yet a lot of the murals that survive depict the women as erotic and exotic. Murals from brothels and buildings that functioned as brothels (such as inns, lunch counters, and taverns) show fair-skinned women, naked (except for the periodic breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic men. The figures sport on beds that are in some cases ornate and festooned with decorative quilts. n structures identified as brothels, the murals may have been meant to arouse clients. They might likewise have functioned as pictorial menus and even acted as instruction manuals for more inexperienced customers. In structures identified as private residences, the scenes were probably decorative however also developed, possibly, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.