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Like the distressed men who started excavations at Pompeii in the 18th century and found more about the ancient Italians than they had actually anticipated-- such as phallic-shaped lamps-- historians of sex are routinely challenged with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet much of the murals that make it through illustrate the ladies as erotic and unique. Murals from brothels and structures that worked as whorehouses (such as inns, lunch counters, and taverns) reveal fair-skinned women, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic guys. The figures sport on beds that are in some cases ornate and festooned with ornamental quilts. n buildings determined as brothels, the murals may have been meant to arouse clients. They might also have functioned as pictorial menus or even functioned as user's manual for more unskilled clients. In buildings identified as personal residences, the scenes were most likely ornamental but also created, maybe, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.