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Like the anxious guys who started excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had actually anticipated-- such as phallic-shaped lamps-- historians of sex are frequently confronted with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet much of the murals that survive depict the ladies as erotic and exotic. Murals from whorehouses and structures that acted as whorehouses (such as inns, lunch counters, and pubs) reveal fair-skinned women, naked (except for the periodic breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic men. The figures sport on beds that are sometimes elaborate and festooned with ornamental quilts. n structures identified as whorehouses, the murals may have been intended to excite customers. They might also have actually worked as pictorial menus or even functioned as instruction manuals for more inexperienced clients. In buildings determined as personal homes, the scenes were more than likely decorative but also designed, possibly, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.