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Like the anxious men who started excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had bargained for-- such as phallic-shaped lamps-- historians of sex are frequently challenged with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served clients in the brothels lived hard lives, yet a lot of the murals that make it through portray the women as erotic and exotic. Murals from whorehouses and buildings that worked as whorehouses (such as inns, lunch counters, and taverns) show fair-skinned women, naked (except for the periodic breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic males. The figures sport on beds that are often ornate and festooned with ornamental quilts. n structures identified as whorehouses, the murals might have been intended to excite clients. They might also have worked as pictorial menus and even functioned as instruction manuals for more inexperienced consumers. In structures identified as personal houses, the scenes were probably decorative however also created, maybe, for titillation.