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Like the nervous males who started excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had actually imagined-- such as phallic-shaped lamps-- historians of sex are regularly challenged with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet much of the murals that endure depict the females as exotic and erotic. Murals from whorehouses and structures that functioned as brothels (such as inns, lunch counters, and pubs) reveal fair-skinned females, naked (except for the periodic breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic guys. The figures sport on beds that are sometimes ornate and festooned with decorative quilts. n buildings determined as whorehouses, the murals might have been meant to excite customers. They might likewise have actually worked as pictorial menus and even acted as instruction manuals for more unskilled consumers. In buildings determined as private residences, the scenes were probably ornamental but also developed, perhaps, for titillation.