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Like the nervous guys who started excavations at Pompeii in the 18th century and found more about the ancient Italians than they had planned on-- such as phallic-shaped lamps-- historians of sex are regularly challenged with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served clients in the whorehouses lived hard lives, yet much of the murals that survive portray the women as exotic and erotic. Murals from brothels and structures that acted as brothels (such as inns, lunch counters, and taverns) reveal fair-skinned females, naked (except for the occasional breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic guys. The figures sport on beds that are often ornate and festooned with decorative quilts. n buildings identified as whorehouses, the murals might have been intended to arouse customers. They might also have operated as pictorial menus and even acted as user's manual for more unskilled consumers. In buildings identified as private homes, the scenes were probably decorative but likewise designed, possibly, for titillation.