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Like the nervous men who began excavations at Pompeii in the 18th century and found more about the ancient Italians than they had anticipated-- such as phallic-shaped lights-- historians of sex are routinely faced with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served clients in the brothels lived hard lives, yet much of the murals that make it through portray the ladies as exotic and erotic. Murals from brothels and structures that functioned as brothels (such as inns, lunch counters, and taverns) reveal fair-skinned ladies, naked (except for the periodic breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic males. The figures sport on beds that are often ornate and festooned with decorative quilts. n buildings recognized as brothels, the murals may have been planned to arouse clients. They may likewise have actually worked as pictorial menus and even acted as instruction manuals for more unskilled customers. In structures identified as private residences, the scenes were most likely decorative but also designed, maybe, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.