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Like the anxious males who began excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had actually imagined-- such as phallic-shaped lamps-- historians of sex are routinely confronted with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served customers in the brothels lived hard lives, yet a lot of the murals that survive portray the women as exotic and erotic. Murals from whorehouses and structures that served as whorehouses (such as inns, lunch counters, and pubs) show fair-skinned females, naked (except for the periodic breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic men. The figures sport on beds that are in some cases ornate and festooned with decorative quilts. n structures identified as whorehouses, the murals might have been intended to arouse customers. They might also have operated as pictorial menus or even served as instruction manuals for more unskilled consumers. In structures identified as private houses, the scenes were probably decorative but also designed, maybe, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.