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Like the nervous males who began excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had imagined-- such as phallic-shaped lights-- historians of sex are routinely confronted with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served customers in the brothels lived hard lives, yet a lot of the murals that endure illustrate the women as erotic and exotic. Murals from brothels and structures that functioned as whorehouses (such as inns, lunch counters, and taverns) reveal fair-skinned women, naked (except for the periodic breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic guys. The figures sport on beds that are sometimes ornate and festooned with ornamental quilts. n buildings recognized as whorehouses, the murals might have been intended to arouse customers. They may also have operated as pictorial menus or even functioned as user's manual for more unskilled clients. In structures identified as private houses, the scenes were most likely ornamental but also developed, maybe, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.