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Like the nervous men who began excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had actually imagined-- such as phallic-shaped lamps-- historians of sex are frequently confronted with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet a number of the murals that make it through depict the females as exotic and erotic. Murals from whorehouses and structures that worked as whorehouses (such as inns, lunch counters, and taverns) reveal fair-skinned ladies, naked (except for the periodic breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic guys. The figures sport on beds that are sometimes elaborate and festooned with ornamental quilts. n structures identified as brothels, the murals might have been intended to arouse clients. They might likewise have worked as pictorial menus or perhaps worked as instruction manuals for more unskilled consumers. In structures identified as private homes, the scenes were probably decorative but likewise designed, possibly, for titillation.