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Like the anxious guys who started excavations at Pompeii in the 18th century and found more about the ancient Italians than they had actually planned on-- such as phallic-shaped lights-- historians of sex are frequently challenged with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet a lot of the murals that endure portray the females as exotic and erotic. Murals from whorehouses and structures that served as whorehouses (such as inns, lunch counters, and taverns) reveal fair-skinned ladies, naked (except for the periodic breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic men. The figures sport on beds that are sometimes elaborate and festooned with ornamental quilts. n structures identified as whorehouses, the murals may have been intended to arouse customers. They may likewise have functioned as pictorial menus and even served as user's manual for more inexperienced clients. In buildings identified as private homes, the scenes were most likely decorative but also created, maybe, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.