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Like the distressed men who began excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had bargained for-- such as phallic-shaped lamps-- historians of sex are routinely confronted with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served clients in the brothels lived hard lives, yet much of the murals that survive portray the women as exotic and erotic. Murals from whorehouses and buildings that worked as whorehouses (such as inns, lunch counters, and taverns) reveal fair-skinned women, naked (except for the periodic breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic men. The figures sport on beds that are in some cases ornate and festooned with ornamental quilts. n structures determined as brothels, the murals might have been planned to excite clients. They may likewise have actually functioned as pictorial menus and even worked as instruction manuals for more unskilled customers. In buildings identified as personal homes, the scenes were probably ornamental but also developed, perhaps, for titillation.