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Like the nervous males who started excavations at Pompeii in the 18th century and found more about the ancient Italians than they had imagined-- such as phallic-shaped lights-- historians of sex are regularly confronted with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served clients in the whorehouses lived hard lives, yet many of the murals that survive portray the women as erotic and exotic. Murals from whorehouses and structures that served as whorehouses (such as inns, lunch counters, and taverns) show fair-skinned women, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic men. The figures sport on beds that are sometimes elaborate and festooned with ornamental quilts. n buildings recognized as whorehouses, the murals might have been meant to arouse clients. They may likewise have actually functioned as pictorial menus and even acted as user's manual for more unskilled clients. In buildings determined as private residences, the scenes were most likely decorative but also designed, possibly, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.