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Like the anxious males who began excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had imagined-- such as phallic-shaped lamps-- historians of sex are frequently challenged with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served clients in the whorehouses lived hard lives, yet a lot of the murals that survive depict the females as unique and erotic. Murals from brothels and buildings that acted as whorehouses (such as inns, lunch counters, and taverns) reveal fair-skinned women, naked (except for the occasional breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic men. The figures sport on beds that are often ornate and festooned with decorative quilts. n buildings identified as whorehouses, the murals might have been planned to excite clients. They may also have worked as pictorial menus or perhaps served as user's manual for more unskilled customers. In buildings identified as personal houses, the scenes were probably decorative but also developed, perhaps, for titillation.