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Like the distressed guys who started excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had imagined-- such as phallic-shaped lights-- historians of sex are routinely confronted with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet many of the murals that survive depict the women as exotic and erotic. Murals from whorehouses and structures that served as whorehouses (such as inns, lunch counters, and pubs) show fair-skinned ladies, naked (except for the occasional breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic males. The figures sport on beds that are in some cases elaborate and festooned with decorative quilts. n structures identified as whorehouses, the murals may have been intended to arouse clients. They might also have operated as pictorial menus or perhaps served as instruction manuals for more inexperienced consumers. In structures identified as personal residences, the scenes were probably decorative however likewise designed, perhaps, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.