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Like the anxious men who started excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had imagined-- such as phallic-shaped lights-- historians of sex are routinely faced with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served clients in the brothels lived hard lives, yet many of the murals that endure portray the females as unique and erotic. Murals from brothels and buildings that worked as whorehouses (such as inns, lunch counters, and taverns) reveal fair-skinned women, naked (except for the periodic breast band), with stylised hair, in a variety of sexual positions with young, tanned, athletic males. The figures sport on beds that are in some cases ornate and festooned with decorative quilts. n structures determined as whorehouses, the murals might have been planned to arouse clients. They may also have worked as pictorial menus and even worked as user's manual for more inexperienced customers. In buildings determined as private residences, the scenes were probably ornamental but likewise designed, perhaps, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.