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Like the distressed men who began excavations at Pompeii in the 18th century and found more about the ancient Italians than they had imagined-- such as phallic-shaped lamps-- historians of sex are frequently faced with case studies from the past that challenge their own ethics. Those who worked the streets of Pompeii and served customers in the whorehouses lived hard lives, yet much of the murals that endure portray the females as exotic and erotic. Murals from brothels and buildings that worked as whorehouses (such as inns, lunch counters, and pubs) show fair-skinned ladies, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic guys. The figures sport on beds that are in some cases elaborate and festooned with decorative quilts. n structures identified as brothels, the murals might have been intended to arouse clients. They might likewise have actually worked as pictorial menus or even acted as user's manual for more unskilled customers. In buildings recognized as personal houses, the scenes were most likely ornamental but also designed, perhaps, for titillation.