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Like the anxious guys who started excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had actually bargained for-- such as phallic-shaped lamps-- historians of sex are frequently faced with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served clients in the brothels lived hard lives, yet much of the murals that make it through portray the women as exotic and erotic. Murals from brothels and structures that functioned as brothels (such as inns, lunch counters, and pubs) reveal fair-skinned females, naked (except for the periodic breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic men. The figures sport on beds that are sometimes ornate and festooned with ornamental quilts. n buildings identified as whorehouses, the murals may have been planned to arouse clients. They might also have functioned as pictorial menus or perhaps served as user's manual for more inexperienced customers. In structures identified as private residences, the scenes were probably ornamental but likewise developed, possibly, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.