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Like the nervous males who started excavations at Pompeii in the 18th century and found more about the ancient Italians than they had anticipated-- such as phallic-shaped lamps-- historians of sex are routinely confronted with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served clients in the brothels lived hard lives, yet a lot of the murals that make it through depict the ladies as erotic and unique. Murals from brothels and structures that served as whorehouses (such as inns, lunch counters, and pubs) show fair-skinned women, naked (except for the occasional breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic males. The figures sport on beds that are sometimes ornate and festooned with ornamental quilts. n structures recognized as brothels, the murals might have been intended to arouse customers. They might likewise have worked as pictorial menus and even functioned as user's manual for more unskilled clients. In buildings recognized as private houses, the scenes were probably ornamental but also developed, maybe, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.