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Like the distressed guys who started excavations at Pompeii in the 18th century and discovered more about the ancient Italians than they had anticipated-- such as phallic-shaped lights-- historians of sex are regularly confronted with case studies from the past that challenge their own principles. Those who worked the streets of Pompeii and served clients in the whorehouses lived hard lives, yet a number of the murals that survive portray the females as erotic and unique. Murals from brothels and buildings that served as whorehouses (such as inns, lunch counters, and taverns) show fair-skinned females, naked (except for the periodic breast band), with stylised hair, in a range of sexual positions with young, tanned, athletic males. The figures sport on beds that are often elaborate and festooned with ornamental quilts. n structures recognized as whorehouses, the murals may have been meant to arouse customers. They might also have actually functioned as pictorial menus or perhaps served as user's manual for more inexperienced consumers. In structures identified as private homes, the scenes were most likely decorative but also designed, possibly, for titillation.
The sex employees satisfied a practical function and absolutely nothing else. Restricted to the properties by (generally) male pimps who offered them with just their the majority of fundamental requirements, the ladies were basically cut off from the outside world. This rendered them susceptible to the impulses of both pimp and customer alike.
Contrary to the idealised images, the whorehouses themselves supply proof that the ladies operated in cells, normally just huge enough for a narrow bed. The lack of windows in many vouches for the darkness of the cells, in addition to restricted air circulation.